Thursday, July 27, 2006

Bait Busjanuary 15, 2010




"wheels: The anchor without rocking the sails, and stood still. The tide was up, the wind had almost fallen, and having to go down the river, we can only dock waiting for the ebb.

The estuary of the River Thames opened before us like an endless avenue of entrance. Out at sea, the sky and the sea came together and mingling in the space bright, rust-colored sails of the barges that went up the river leaving carried away by the tide seemed to stand still in red clusters of canvas stretched between the glint of rods painted. A haze rested on the low banks, whose outlines were lost in the fleeting sea. The air was dark above Gravesend, and farther back still seemed condensed into a desolate darkness that hung motionless on the largest and most illustrious city in the world.


by J. Conrad, incipit of Heart of Darkness.



"
When you decide to do without it, one realizes how the air force us their limited perception of the existence, of how, as a convenient shortcut distances, eventually you cut everything, even the understanding of the world. We left Rome at sunset, dinner, sleep a little 'and the dawn was already in India. But a country is its diversity and a whole must also have time to prepare for the meeting, it must also make effort to enjoy the wins. Everything has become so easy today that you do not feel more pleasure at all. To understand something is a joy, but only if tied to an effort. So with the countries. Read a guide, jumping from one airport to another, is not the same slow, laborious acquisition - by osmosis, the humors of the earth which, by train, one is attaccati."

da T.Terzani, Un indovino mi disse

Friday, July 14, 2006

Leg Tendonitis Leg Pain

Michelina endormi



per caso mentre tu dormi
per un involontario movimento delle dita
ti faccio il solletico e tu ridi
così soddisfatta del tuo corpo ridi
approvi la vita anche nel sonno
come quel giorno che mi hai detto:
lasciami dormire, devo finire un sogno

20.8.1981

da "Come può un poeta essere amato" di A.Porta, in Poesie, Milano, 1998

Birthday Cakes Hand Bags

Guest


Guest

I Know You Came

to stay,

to share the space

behind the curtain,

to sip the soup

That oozes from my spoon-body

to Reflect in me:

my stomach to steady pond.

Eggs by Elisa Biagini, Arezzo Area, 1999.








Guest


you come, I know
to stay,

share the space behind the curtain,
Drinking sips soup
leaking from my body-spoon,
to think about in me: my
stomach pond property.

(my translation)

Thursday, July 13, 2006

Rheumatoid Arthritis. More Condition_symptoms

Postkarten (Postcards)

35.

talk, for pleasure, the pleasures of life, for once (I said
the wife of Van Rossum, Monday at 11) (which is a German Monaco,
own, under the 30, I think, white skin like an egg white):
and the first
pleasure is key, yes, and then, for me, sleeping in the sun (as I was sleeping now,
I told you, before you came: a bare-chested as he sees me, and walking nude
, etc..) And the third is to drink wine (French, if possible, such as
we drank Saturday by Berio, as well as Friday in Rotterdam and here):
(and I've concluded that heaven is fucking in the sun, perhaps, full of Saint-Emilion):

by Postkarten E. Sanguineti

Mount & Blade Recommend

What everyone thinks



6

that human relationships should be ignored
that minorities are getting smarter
that pain is useful
that civilization is founded on the death
that happiness is the new consumer
myth that reality must have a future that has happened to the art
bourgeois art
a UNOVA revolutionary state express a
new art that painting must be a multiple
that blacks are always the same people who kill whites
that blacks are always the same people who kill each other
nature rebels
you will see that the accounts will not be back
that the written word must be political
short, words matter so much that there are
of those things that can not be explained but which are true
that aesthetics should not be set aside
that we must continue continue continue
that the windows are full of beautiful things
you get used to everything
that eroticism is a routine that is happening
qualosa very different
is really hard to understand what need to

understand but then how do you judge the judges
rebel who will lead us to review


truth that the dream is the dream that predicts

bourgeois culture is that the dream is a lie of the past and the future
dreams come true that witches

know that impotence is typical of the left
the shelter late capitalist dream is that the dream is the

mirror the dream that just fucks

that the Chinese do not dream that the death instinct
it is revealed that there was no talk of the death instinct for charity
instincts that have been invented that govern
instincts is precisely the government's responsibility
reveal your thighs pussy
there is no doubt that the orgasm is the return to the mother in the dream that

fucks the water from the sea
that we come back to the sea that
prospects dilate
that everything becomes collective
that we go together to die
of moralism is not done by four little money soldiper
universals are good for everyone from

"What we all think" in Metropolis Antonio Porta

My Wifes Deepest Throat Vid

Incipit Laborintus

Who is not clear why the title, some consideration. I have worked in recent months on Edoardo Sanguineti, one of the poets on which God willing will stand my thesis. "Laborintus" is the title of his first collection, which borrows from just Everardo German, which makes a very risky assumption etymological, like many medieval etymologies. Everardo it breaks the word into two parts: Labor (fatigue) and Intus (fwd place that states "the deep"). So just Everardo's Labyrinth back in time reveals the effort that is typical of the way through the maze. The etymology is more fascinating than precise, but a little 'to Sanguineti, a little' because I like it too, I presented at the subtitle. That said, to each his Labyrinth. The Internet is a maze, it has many features. The allure, the danger, the impasse, the difficulty of finding a map. I do not remember when it 'was the first time I was fascinated by the labyrinth. It was probably with Pollon, like many other myths is the first text! Then Borges, Rilke then ... now I am reminded of a scene to which my dear friend Ilaria still takes me around: in one camp, at night on the rocks talking on the phone with a girl from little known, I was 19 years and to explain my difficulty in doing a project on our new-born love, I giustificai saying: "You know, I'm a labyrinthine type ...". I posted my friends took me right to my ass for months! In reality, however, I was inside my maze, or only, strangled and unable to explain. There is therefore a verbal maze. Two final considerations for now: one is that there is no escape from the Labyrinth alone, as taught by the legend. The other is that even today some people gather in groups and use labyrinths of brick, sand (see picture in the post on Asterion) as a technique of relaxation or concentration. In the past, enrolled labyrinths in churches as a path of prayer (one is in Lucca). The thought then is that there are good reasons to walk in their own maze or in that of others.

Raylene Richards Wrestler







From Laborintus, 1956
Edoardo Sanguineti

1.

consist of lands in structural complexes are Palus Putredinis

rests tenuous Ellie you my body and you will indefatigable tenuous Ellie were the My body

imaginative conclusion of an almost ecstatic spiritual dialectic

us the quality we receive from the time

you and you my large body

of phlogiston you that you stand up and materialize the idea of \u200b\u200bswimming

systematic iron construction filamentous plaintive

yeast gap in the company of a tough issue

land consists of detente dialogic intemperate insistence

le condizioni esteme è evidente esistono realmente queste condizioni

esistevano prima di noi ed esisteranno dopo di noi qui è il dibattimento

liberazioni frequenza e forza e agitazione potenziata e altro

aliquot lineae desiderantur

dove dormi cuore ritagliato

e incollato e illustrato con documentazioni viscerali dove soprattutto

vedete igienicamente nell'acqua antifermentativa ma fissati adesso

quelli i nani extratemporali i nan i insomma o Ellie

nell'aria inquinata

in un costante cratere anatomico ellittico

further say that because they can not grow

you always calmed my nature and you song methodological

device introspection dell'introversione centrifugal force bounded

Ellie soft body outgrowths of sinful

that we can rotate

and address and smell and worship time

desiderantur (they)

analyzers and analyzer desiderantur (they) also figures

and erotic and sophisticated

desiderantur desiderantur

Tuesday, July 11, 2006

2nd Birthday Invite Rhyme

The House of Asterion


I know you accuse me of arrogance, and perhaps of misanthropy, or madness. These charges (which will punish in due time) are ridiculous. E vero che non esco di casa, ma è anche vero che le porte (il cui numero è infinito) 1 restano aperte giorno e notte agli uomini e agli animali. Entri chi vuole. Non troverà qui lussi donneschi ne' la splendida pompa dei palazzi, ma la quiete e la solitudine. E troverà una casa come non ce n'è altre sulla faccia della terra. (Mente chi afferma che in Egitto ce n'è una simile.) Perfino i miei calunniatori ammettono che nella casa non c'è un solo mobile. Un'altra menzogna ridicola è che io, Asterione, sia un prigioniero. Dovrò ripetere che non c'è una porta chiusa, e aggiungere che non c'è una sola serratura? D'altronde, una volta al calare del sole percorsi le strade; e se prima di night I returned, it was for fear that infuses the faces of the crowd, faces faded and flat, like an open hand. The sun had set, but the heartfelt cry of a child and the rude I said prayers for the flock had been recognized. The people prayed, fled, prostrated themselves, and some climbed on stylobate of the temple of the Axes, others gathered stones. Someone, I believe, sought refuge in the sea. Not for nothing that my mother was a queen, I can not mingle with the crowd, even if my modest wants.

The truth is that they are unique. I do not care what a man can be transmitted to other men as the philosopher, I think that nothing can be communicated through the art of writing. The annoying and trivial minutiae do not have shelter in my mind that it is liable only to the great, I could never remember the difference between one letter and another. Generous impatience has not permitted me to learn to read. Sometimes I regret, because the nights and days are long.

Of course, I do not miss distractions. As the ram rushes, I run the corridors of stone to fall to the ground in the grip of vertigo. I crouch in the shade of a tank at the corner of a hallway and play hide and seek. There are terraces which I let myself fall until I am bloody. At any moment I can pretend to be asleep, eyes closed and breath heavy (sometimes I fall asleep really, sometimes, when I open my eyes, the color of the day has changed).
But of all the games, I prefer that of another Asterion. I guess he comes to visit me and that I show him the house. With big bows, I tell him: "Now we go back to the first corner," or "now blossomed into another yard," or, "I told you I would have liked the water channel," or "Now you I see who has a tank filled with sand, "or" You'll see how it splits the cellar. " Sometimes I'm wrong, and we both laughed.

But I only imagined games, I have also meditated on the house. All parts of the house repeat, any place it and another place. There are a tank, a courtyard, a fountain, a barn, the stables are endless, fountains, courtyards, cisterns. The house is big as the world. However, by dint of a tanker along the courtyards and dusty corridors of gray stone, I reached the road and saw the temple of the Axes and the sea. Not included until a night vision revealed to me that even the seas and temples are endless. Everything there many times, countless times, only two things in the world seem to exist only once: above, the intricate sun; below, Asterion. Perhaps I have created the stars and the sun and this enormous house, but I can not remember.

Every nine year nine men entered the house, because I set them free from all evil. I hear their footsteps or their voice at the bottom of the stone galleries and I run joyfully to find them. The ceremony lasts a few minutes. They fall one after another, without that I-chi mac blood on their hands. Where did remain, and their bodies help distinguish one gallery from others. I do not know who they are, but I know that one of them prophesied, about to die, who would one day come my redeemer. Since then the loneliness I do not regret, because I know that my redeemer lives and one day rise from the dust. If my ear could hear all the noises of the world, I hear his footsteps. Take me to a place with fewer galleries and fewer doors What will my redeemer? Maybe it is a bull with a human face? Or will it be like me?

The morning sun shone on the bronze sword. There remained no trace of blood.

"Would you believe it, Ariadne?" said Theseus. "The Minotaur he has not nearly defended."


"The House of Asterion " in Aleph of JLBorges